Hendrik Spree

Über die weit über den Streamingmarkt hinausgehende Netflixification: “It’s about how movies these days look – more flat, more fake, over-saturated, or else over-filtered, like an Instagram photo in 2012, but rendered in commercial-like high-def. This applies to prestige television, too. There are more green screens and sound stages, more CGI. Not that everything looks…