Return of Notes (02/16)

Anläßlich der Social Müdia hier mal wieder zwei passende Texte aus den letzten Wochen verlinkt, der erste aus dem uneingeschränkt empfehlenswerten Snapchat-Prestige-Publikationsprojekt Real Life Mag:

My content was relevant; “I” was relevant content. (…) As much as I’d identified with the persona I had constructed online, I am not, I discovered, a blog.

Sunset Blogevard ( I like the headline.)

I think we all knew it was coming. The gratification and thrill associated with social media has substantially faded as too many images and voices vie for attention, causing what feels like thousands of attention-hungry children speaking over one another, simultaneously saying everything and nothing. A lawless clusterfuck.

why generation z are deleting their social media accounts and going offline | i-D

gelbstich

Und wo ich schon einmal dabei bin, kann ich auch gleich die restlichen Zitate raushauen.

Ist das noch Kritik oder schon Klappentext?

Streit – Aseptische Wände | Ich bin da eher Team Kaube, wollte diesen “Literaturstreit eigentlich als zu mickrig nicht weiter erwähnen, aber nun passt er einfach zu gut zur Causa Elena Ferrante. Die Aufdeckung halte ich für schäbig.

Because if you’re a good artist, you’re supposed to be a shitty mom.

Amalia Ulman Is the First Great Instagram Artist | Elle rekapituliert.

With its coordinating furniture sets, “Tuscan” flair, and an overall preoccupation with cheap icons of luxury on a beige background, interior design the 2000s is an interesting period to study simply because there was absolutely nothing interesting about it at all.

How Beige Took Over American Homes

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